In the Santo Daime religion, the hymns and hymnals – hinarios – comprise the main collection of teachings and the the core of the doctrine of our tradition. The liturgy of the Hinario Service of the Santo Daime Doctrine. Hinários of the Santo Daime This section is dedicated to the doctrine’s hinários, giving priority to the ones that formed the base of its teachings. It is also.

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If I could send a note to all these Daime Centers I would say: We have to follow the teachings as they tell. The other day I went to a ceremony, here, near Rio Branco and I didn’t like it. I went without my farda, as a civilian, because I didn’t know how the organization was over there, like I was foreseeing it. The displaced lines, without a platoon to be responsible for the organization of the lines, some men with the shirt outside of their pants, hands in their pockets, others with their arms loose, rocking it back and forward, and what is worse: The maraca is what helps to mark the dance steps.

The fardado has the right to leave [away from the lines] for only three hymns, the most.

Santo Daime hymns

The rehearsal is very important because it is when the person is going to learn in order for everyone to arrive in hinaruos official ceremony already knowing. Our work is as of the one of a barrack; everyone equal. Many people sing but the comprehension remains so adverse And it doesn’t exist this thing hiharios mixing lineages, no, to act things out.


Hinaros never saw Mestre altering himself in anything. When he referred to the “nine prayers” he was referring to the “Our Father”, to the “Hail Mary” and to the dsime Mary” prayed three times. And what this means? The prayer that we know as “Hail Mary” has a clear origin content division: While the first part “Hail Mary, full of grace, the Lord is with Thee. Blessed art Thou amongst women! Blessed is the fruit of Thy womb” is integrally based in the biblical text, when the angel greets Mary and announces the redeemer, the second part “Holy Mary, Mother of God, pray to God for us sinners, now and at the hour of our death, Amen” is the result of elocutions that the Catholic church added during the course of a millennium.

It was thence that Mestre Irineu dealt with sano “Hail Mary” as if they were two prayers: The first one reproduces the angel’s greeting to Mary; the second elevates our prayers to her.

Without ‘much space’ in between them”. According to the orientation of the master founder of our Doctrine, Mr. It remains up to the president of the session the decision of whether sing or not this hymn outside the official dates.

I was about nine years old. Then, nearby home, always in the month of May, the month of Mary, saime had some ladies who prayed the rosary.

They did novena and I was hinsrios there. After they prayed the rosary they sang those Benditos, and over there they sang this Bendito of Friday.

Then I learnt this Bendito by heart. Then, on a given day, I reminded myself to sing it for Padrinho Irineu.

Offical Hinários

He thought it was beautiful and it really did fit with the passage of the holy Friday. I sang it after the rosary, during the intermission and at the end of the work.


Being inspired by the life of Saint Francis he remained in total chastity throughout his life and his performance extrapolated the limits of his actions as a valiant shepherd of souls. Exercising great influence in the development of the state, where his deeds reverberate even today, he also practiced alternative ways of cure, having as base medicinal herbs.

He died on July 20,with 90 years of age, causing deep consternation in the heart of the local population as well as to thousands of devote spread by the Northeast of Brazil. Rejected by the Church, he became the true saint of the Brazilian northeasterners and as such he is worshipped with an unshaken daimw spite Rome’s indifference. Francisca Nascimento, sister of Mr. Sant are the lyrics of the Bendito in the totality.

It is sung repeating the verses. Judas pelo lado direito Com falsidade lhe beijou divinamente Jesus disse: Delivery of the works. They are an integrant part of the official works where we sing the Cruzeiro. To sing the entertainments [during the intermission] is a duty to all fardados in these dates. To not sing the entertainments implies to present an incomplete work.

We should make an effort to keep alive this instruction of Mestre Irineu. Maia Neto — from the book “Contos da Lua Branca”.

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